Incomplet Design History

Willi Smith & WilliWear

Episode Summary

Willi Smith was a pioneering Black fashion designer who revolutionized casualwear with his “Street Couture” aesthetic, blending affordability, inclusivity, and artistic collaboration. His visionary work across fashion, theater, public art and even graphic design, left a lasting legacy, cemented by his influence on unisex design and posthumous honors that celebrate his enduring impact on the industry.

Episode Notes

Willi Smith (1948–1987) was a trailblazing Black fashion designer celebrated for redefining casual fashion through his visionary "Street Couture." Born in Philadelphia, Smith showed early artistic promise, working as an illustrator and studying at the Philadelphia Museum of College Art. He attended Parsons School of Design on scholarships and apprenticed with Arnold Scaasi before working for brands like Talbott and Digits, where he gained industry recognition. In 1976, Smith co-founded WilliWear Ltd. with Laurie Mallet, establishing a brand that fused affordability, inclusivity, and creativity. WilliWear became synonymous with groundbreaking fashion shows, featuring collaborations with artists like Christo and Jeanne-Claude and performance art elements such as costumes for Trisha Brown Dance Company and the Alvin Ailey American Dance Theater. Smith’s designs, known for their vibrant patterns, deconstructed silhouettes, and unisex appeal, challenged the exclusivity of high fashion, earning him a Coty American Fashion Critics’ Winnie Award in 1983. Smith's influence extended beyond fashion, touching theater, dance, and public art. He designed workers’ uniforms for Christo’s large-scale installations and costumes for Spike Lee's School Daze and Marvel’s Spider-Man. Despite his success, Smith faced personal and professional challenges, including health struggles. Tragically, he died in 1987 from AIDS-related complications, leaving an indelible mark on the fashion world. Posthumously honored with exhibitions, memorials, and accolades like Willi Smith Day, his legacy remains a testament to his innovative spirit and commitment to democratizing fashion.

TIMELINE

1948 – Willi Smith was born on February 29th in Philadelphia, Pennsylvania.
1963 – Smith attends Jules E. Mastbaum Technical High School in Philadelphia and begins his first job as an illustrator for Prudence and Strickler's dress shop.
1964 – Smith takes a class in fashion illustration at the Philadelphia Museum of College Art.
1965 – Designer Arnold Scaasi hired Smith as an apprentice.
1965 – Smith enrolled in the fashion designer program at Parsons School of Design.
1967 – Smith leaves Parsons and meets artist and future collaborations Christo and Jeanne-Claude.
1968 – Smith designs for fashion company Talbott, Bobbie Brooks, Mr. Thompson, and Personal Sportswear before joining Glenora Juniors.
1969 – Fashion executives Franklin Trigg and Irving Yanous create junior sportswear label Digits; Smith resigns from Glenora and becomes lead designer for Digits
1970 – Smith meets future WilliWear business partner Laurie Mallet; Digits forms the new lower price-point division Syllables, making Smith the lead designer.
1971 – Smith hires Mallet as his design assistant at Digits
1972 – Smith was nominated for the Coty American Fashion Critics’ Winnie Award, and Digits presented its first runway show.
1973 – Smith begins designing for Butterick Patterns and designs costumes for dancer-choreographer Dianne McIntyre’s composition The Lost Sun.
1974 – Smith forms Willi Smith Designs, Inc. with his sister Toukie Smith and Rivera-Terreaux.
1976 – Smith and Mallet form WilliWear Ltd.
1978 – The first WilliWear runaway show takes place at Holy Solomon Gallery with a spring collection influenced by nautical uniforms and Southeast Asian dress; WilliWear opens a new showroom at 62 West 39th Street.
1979—Black designers Arthur McGee, Jeffrey Banks, Carl Davis, Jay Jaxon, Kevin Thompson, Robert Miller, and Smith are honored with a fashion show at the Fashion Institute of Technology.
1980 – WilliWear’s fall collection is presented at the Alvin Ailey American Dance Theatre with Ailey dancers as models.
1981 – The Black Fashion Museum organizes the exhibition Bridal Gowns of Black Designers.
1982—Smith participated in a group exhibition at P.S. 1 with fashion designers Cathy Hardwick, Michele Lamy, Corrine Guibert, and Regina Kravitz and presented the installation Art as Damaged Good.
1982—Architecture and environmental arts studio SITE designs the WilliWear showroom at 209 West 38th Street.
1983 – Smith is awarded the Coty American Fashion Critics’ Winnie Award for womenswear,.
1984 – Smith and Mallet establishes a new division of WilliWear called WilliWear Productions, selling mass-produced clothing designed by artist.
1985 – Dean Alexander begins to design WilliWear promotional graphics; Smith designs workers’ uniforms for Christo and Jeanne-Claude’s PontNeauf Wrapped in Paris, France.
1986 – WilliWear grosses more than $25 million
1987 – Working with costume designer Ruth E. Carter, Smith designs homecoming court gowns for Spike Lee’s film School Daze; Smith designs Mary Jane’s wedding dress for Marvel’s Amazing Spider-Man.
1987 – Smith dies at Mount Sinai Hospital on April 17th from AIDS-related complications; Smith’s funeral is held at Frank E. Campbell Funeral Chapel on April 20; Parsons hold a memorial service in Smith’s honor.
1988—Mayor David Dinkins proclaims Feb. 23 Willi Smith Day;
1989 – Andre Walker Becomes the lead designer for WilliWear.
1990 – WilliWear closes its womenswear operations and files for bankruptcy.
1996 – T.J. Maxx releases a Willi Smith collection manufactured by Nash International under the license given by the Pressman family and Laurie Mallet.

REFERENCES

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